If this strikes you as a fairly mystifying exchange—well, this is the literary mode of Harold Bloom. As originally laid out in his 1973 book, The Anxiety of Influence: A Theory of Poetry, “influence” for Bloom is the water in which all great writers—but especially poets—are forever swimming. To become a serious author of any real enduring merit, one must necessarily take on certain literary precursors, writers who have spurred one to write for oneself. But for Bloom this is no simple craft tradition, passed down benevolently from generation to generation. For Bloom, what begins as literary inspiration ends up as sublimated agon, as endless conflict, manifesting in the work as the buried tensions of an intergenerational competition for literary immortality.
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最触动人心的是剧中揭示的人性暗面，以及跨越古今的象征意义。终场时，象征欲望的黑雪在舞台上空翻飞，有些飘向观众席，仿佛穿越时空的警示。
Мужская аудитория описала наиболее неловкие эпизоды интимного характера03:00
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